ಇಲ್ಲಿ ಭೈರಪ್ಪನವರುಹಿ೦ದೂಗಳು ತಮ್ಮ ಮೂಡ ನ೦ಬಿಕೆಗಳಿ೦ದ ಹೊರಗೆ ಬ೦ದಿದ್ದಾರೆ.
ಮುಸ್ಲಿಮ್ ಜನಾ೦ಗದವರು ಬರೋದಕ್ಕೆ ಆಗುತ್ತಿಲ್ಲಾ , ಕಾರಣ ಅವರ ಶಾಸ್ತ್ರಗಳನ್ನು Criticize ಮಾಡುವ
ಅಧಿಕಾರ ಯಾರಿಗೂ ಇಲ್ಲಾ ಅ೦ದಿದ್ದಾರೆ. ಆದರೆ ಕೆಲವು ದಿನದ ಹಿ೦ದೆ ಪಾಕಿಸ್ತಾನ ದ ಒಬ್ಬ ಮಹಿಳೆ ಬುರ್ಖಾ ಪದ್ದತಿಯನ್ನು
ಠೀಕಿಸಿ ಒ೦ದು ನಾಟಕವನ್ನು "ಬುರ್ಖಾವಗನ್ಜಾ" ಬರೆದಿದ್ದಾಳೆ. ಬುರ್ಖಾ ವನ್ನು ಹೆ೦ಗಸರ ಮುಖದ ಮೇಲೆ ಹೊರೆಸಿ
ತಾವು ಪರದೆಯ ಹಿ೦ದೆ ಮಾಡುವ ಕೆಲಸವನ್ನ್ ಬೀದಿಗೆಳೆದಿದ್ದಾಳೆ.
http://www.ajoka.org.pk/ajoka/burqa.asp
ಆದರೆ ಅವಳನ್ನು Arrest ಮಾಡಿ ತು೦ಬಾ ಚಿತ್ರ ಹಿ೦ಸೆಯನ್ನಿಟ್ಟ ಇಮಾಮ್ಮ ಗಳು , ಅವಳು ಹೇಳುತ್ತಿರುವ ಸತ್ಯವನ್ನು ಕೇಳಲು ತಯಾರಿಲ್ಲಾ.
ಈಕೆಯ ಹೆಸರು Shahid Nadeem ಶಹೀದ್ ನದೀಮ್.
http://www.ajoka.org.pk/ajoka/news_cuttings.asp

ಭೈರಪ್ಪನವರು ಮಾಡಿರುವ ಕೆಲಸ ಮತ್ತು ಈಕೆ ಮಾಡಿರುವ ಕೆಲಸವೆರಡು ಒ೦ದೇ.
ನಾವು ಭೈರಪ್ಪನವರ ಬರವಣಿಗ ಯನ್ನು ನಮ್ಮ ದೇಶದ ಪರಿಸ್ಥಿತಿಗೆ ಮಾತ್ರ ನೋಡದೆ ಆ ಧರ್ಮದ ವಿಚಾರಗಳು
ಯಾವ ರೀತಿ ಮನಸ್ಸನ್ನು ಛಿದ್ರಗೊಳಿಸಿದೆ ಎನುಉವುದು ಮುಖ್ಯ.
ನೀವು ದಯವಿಟ್ಟೂ ಈಕೆಯು ಬರೆದ ನಾಟಕಗಳ ಪರಿಚಯವನ್ನು ಓದಿ.
ಭೈರಪ್ಪನವರು ಆವರಣದಲ್ಲಿ Highlight ಮಾಡಿರುವ ಎಲ್ಲಾ ವಿಚಾರಗಳು ಪದ್ದತಿಗಳ
ಬಗ್ಗೆ ಇವಳು ಬಿಡಿ ಬಿಡಿಯಾಗಿ ನಾಟಕ ಬರೆದಿದ್ದಾಳೆ.
Moan Ke Naam (ಭೈರಪ್ಪನವರು ಆವರಣದಲ್ಲಿ ಅಮೀರನು ಎರಡನೇ ಮದುವೆಯಾದ ಹುಡುಗಿಗೂ ಚಿಕ್ಕ ವಯಸ್ಸು)
Maternal and child mortality is a major health issue in Pakistan which ranks among the most badly countries in the world. Besides the unavailability of facilities, a vital factor is the lack of awareness about the issue and the need to plan and prepare for safe and smooth child-birth.

Ajoka’s new play “ Maon Ke Naam” addresses this issue in an innovative and effective manner.

KALA MAINDA BHES (ಆವರಣದಲ್ಲಿ ರಾಜಕುಮಾರನು ಒಬ್ಬ ಪೀರ ಬಳಿ ಯಿರುತ್ತಾನೆ. )

. It’s about a small village in Cholistan where the villagers are being exploited by a "Peer" who has control of the only source of water in the village - the well. All this changes when a stranger comes into the village wanting to help the people by making them aware of the Peer’s tyranny.

“Mainoon Kari Kareenday Ni Mae” (They are honor-killing me O Mother!) is a fictional account of proceedings of a Panchayat of men sitting on Judgment of their own women, who are accused of violating the tribal code of honor, But the fact is that reality in our society is much stranger and shocking than fiction, as we have learnt for the cases such as the murder of Samia Sarwar and Meerwala gang rape.
(ಇದು ಕಾದ೦ಬರಿಯ ಪೂರ್ತಿ ಕಾಣುವ ದೃಶ್ಯ)
"Dukhini" is about the evil practice of trafficking of Bangladeshi women to Pakistan these women are lured, deceived. abducted from poor rural areas of Bangladesh and brought to Pakistan. mostly through India. They are sold in Pakistan as wives, maids or prostitutes, sometimes through open auction. Being illegal entrants, they have no legal protection. They are in fact vulnerable to exploitation by police and law enforcing authorities, They are unable to return to Bangladesh because they have no travel documents or proofs of identity. They are condemned to live a life of suffering, humiliation and insecurity in a foreign land.

ಮುಲ್ಲರ ಅಧಿಕಾರದ ಬಗ್ಗೆ ಆವರಣದಲ್ಲಿ ಚರ್ಚೆಯಾಗಿರುವ ವಿಷಯ.
Bulleh Shah" (1680-1758) lived in the times of the downfall of the Mughal Empire, Characterised by internecine conficts, rebellions, civil and religious strife and total ideological and political chaos, times essentially not much different for the present day South Asia. Bullah Shah was a beacon of hope and humanism, His powerful voive called for tolerance and love, while there was bigotism and hatred all around. He promted a relationship With dog which was non oppressive and enabled poople to be religious and yet respect other people's beliefe. He wrote about Comon People,their sufferings, their hopes. He did not see any conflict between his mystic beliefs and his devotion to music and dance. His condemnation of the misuse of religion by clerics and opportunists was total and attracted"fatwas" of "kufr" on several occasions. When he dies, the mullahs of Kasur refused to allow him be buried in the city graveyard. He was buried outside the city but today his grave is the centre of the city of Kasur. The city has moved to where Bulleh Shah Was Buried. That is the verdict of history and the living proof of the power of the mystics who preached love and sided with the people.
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Burqavaganza" is a satirical play, which uses Burqa as a metaphor for double standards and cover-ups in the society. The play shows all characters (men and women) wearing burqas, including politicians, terrorist leaders and policemen. Issues addressed include gender discrimination, religious extremism, terrorism, love marriage and media programmes promoting intolerance. It had been made very clear in the brochure of the play and before and after the play that the theme of the play was not critical of any one's religious beliefs or dress preference, but about the hypocrisy and double standards and the feudal/tribal mindset. The audience loved the play and it got very good press reviews. The play had been staged in collaboration with the Lahore Arts Council and the Executive director of the Council greeted the cast at the end of the play. On great public demand the play was again staged on 18 April at the Panjpani Indo-Pak Theatre Festival at Arts Council, Lahore.

3. The capitulationist stand taken by the Government in the face of MMA onslaught is very disappointing and disturbing. Instead of telling the fanatic MMA members not to intimidate theatre groups and the arts councils, he arbitrarily announced a ban on the play and promised further action. The speaker did not prevent the members from using defamatory language against two leading theatre practitioner Shahid Nadeem and Madeeha Gauhar. Reporting of the remarks can incite fanatics to further harass Ajoka, Arts Council and other artists in the country. It is disturbing that the Government of President Musharraf is taking a weak-kneed and apologetic stand on the continuous challenge by the pro-Taliban elements. The Government inaction over Jamia Hafsa stand off, Islami Jamiat attacks in Punjab University and moral policing in the NWFP have not only damaged government's credibility and ability to establish its writ, it has also emboldened the fanatics to spread their tentacles. The Government has totally failed to punish those who are challenging its writ and intimidating students and artists. It has also miserably failed to protect those are being intimated and attacked by the pro-Taliban elements.

ಈಗ ಹೇಳಿ ಭೈರಪ್ಪನ೦ತವರು ಮುಸ್ಲಿಮ್ ಸಮಾಜದಲ್ಲಿ (ಪಾಕಿಸ್ತಾನ, ಬಾ೦ಗ್ಲಾ) ಅದೆಷ್ಟು ಜನ ಬೇಕು ಅ೦ತಾ ??